Book, In the scene of Dr. Dapertutto[LS]

One has to agree with Meierhold, when he writes: 'Although the Studio Theater did not open its doors to the public, it played a very important role in the history of Russian theater. We can say with certainty that everything that our avant-garde theaters later introduced into their performances, with nervous excitement and extraordinary haste, was drunk from a single source. And all the themes that formed the basis of the new scenic interpretations were familiar, known to those who experienced the creative atmosphere of the Theater-Studio.' But this book by Maria Thais, which recreates, for the Brazilian public, the process and fruits of this remarkable experience, shows that, contrary to what the renowned Dr. Dapertutto thought, history and the historian are not deprived of not only , how to value and, more than that, to revive this matrix in a new theater in new times.